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Streaming Media Producer - Featured News

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Venera Technologies to demonstrate its latest enhancements in Audio/Video QC and Caption QC/correction at NAB 2024

Major enhancements for its Quasar® cloud native A/V QC, CapMate® cloud native caption/subtitle QC and Pulsar™ on-premise A/V QC will be in display at NAB 2024

J.T. Rooney Takes Virtual Productions to the Next Level With Kino Flo’s MIMIK 120

Full-Spectrum, Image-Based Video Lighting Tile Delivers Unprecedented Realism for Renowned Virtual Production Pioneer

Marshall Introduces Cv612 Auto Tracking PTZ Camera AT NAB 2024

Automatically Tracks, Follows and Frames Presenters Using AI Facial Learning for Accurate and Smooth Self-adjusting Maneuvers

Miller Tripods Is Now Shipping a Variety of its Popular Broadcast and Cinema Solutions

The Brand's SkyX 8, CinX 8, 9, 20, 23 and 25, AirV and CompassXV Will be on Display at NAB 2024
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Streaming Media Producer - Featured Articles

Featured Articles

Video Monetization Tips for Vimeo

by | Vimeo offers a wealth of monetization opportunities for creators looking to turn their passion into profit. From direct sales and subscriptions to advertising and supplementary revenue streams, Vimeo provides the infrastructure and tools to empower creators to build a sustainable video business model on their own terms.

Is the Future of Music Events Hybrid?

Richard Evans, Senior Content Producer at Vizrt, discusses the future of music events and the ways that live events, including major festivals such as South by Southwest (SXSW) are considering the digital experience more than ever.

Navigating the Cloud Transition: Tailored Strategies for Broadcasters in the Digital Age

by | The broadcast industry has identified the benefits of cloud technology, including its adaptability and versatility. Cloud technologies facilitate remote production and streamline workflows. However, this shift may come with an adjustment period and a myriad of other challenges, which broadcasters today are still overcoming.

Review: YC Onion Pineta Peak Tripod System

by | IEBA's Anthony Burokas reviews a new low-cost, sturdy three-stage tripod system from YC Onion that's well-suited to live production with DSLRs and smaller camcorders.

Designing Streaming Infrastructure for a Massive Music Festival

by , Dan Houze | A conversation with Teradek and BC Live Productions

Making Cloud-Based Remote Editing an Operational Reality

by , Andy Shenkler | In this case study from TMT Insights, we delve into the remarkable transformation journey of A+E Networks, where the company reclaimed control of its media supply chain by bringing content management workflows in-house. A+E Networks collaborated with TMT Insights and leveraged the Polaris operational management platform to revolutionize broadcast and VOD edit workflows, streamlining processes, and automating manual tasks.

How to Monitor Cloud-Based Low-Latency Streams at Scale

by | What is the essential monitoring checklist for maintaining efficiency, resiliency, and performance for large-scale low-latency streaming using cloud-based workflows? Dolby.io Director of Product Strategy and 2G Digital Post Optimization's Allan McLennan discuss the key components and tools for an effective live stream monitoring strategy in this clip from Streaming Media Connect.

Review: Allen & Heath CQ-18T 16-Channel Digital Mixer

by | The introduction of the Allen & Heath CQ line revolutionized my audio setup, providing a compact, all-in-one solution without compromising essential features.

How to Ensure 24/7 Streaming Asset Accessibility in the Cloud

by | One concern with migrating streaming infrastructure and content storage from on-prem to the cloud is ensuring that your content assets are just as accessible via remote data centers as when you had them all stored in physical proximity on-site. CBS' Sports' Corey Smith, Signiant's Rick Capstraw, Telestream's Richard Andes, and IntelliVid Research's Steve Vonder Haar discuss the attendant challenges and how to overcome them in this clip from Streaming Media Connect 2023.

The End of NDI As We Know It?

by | NDI runs the risk of fumbling the ball on the 20-yard line—squandering the nearly decade lead they have in IP video by not enforcing that licensees integrate all of the standard. I write this in the hope that they re-establish what the NDI standard means: that to license NDI, and display the NDI badge, a product must be 100% compatible.

Review: Blackmagic Design 12G 7" Video Assist 12G HDR

by | In this review, we'll look at Blackmagic Design's 7" 12G Video Assist. Like the 5" and 3G models in the Video Assist line, this compact monitor-recorder is designed to go out into the field and attach to the camera, rig, or tripod. It allows you to see your shot better than a small viewfinder or pop-out LCD that's rarely larger than three four inches on most pro camcorders. The Video Assist also enables you to record your footage in high-quality ProRes or HD|NX at resolutions up to 4Kp60.

Review: Blackmagic Design HyperDeck Studio HD Plus

by | If you are in the business of recording and streaming conferences, the Blackmagic Design HyperDeck Studio may be an indispensable tool.

For Live Streaming Producers, Tables of Gear Are Still a Good Idea

by | While the All-In-One live production and streaming tools grow and mature, let's make sure we keep backup solutions in mind to ensure a successful production—even if it still means a table full of gear.

Video Review: OBSBOT Tail Air AI-Powered PTZ Streaming Camera

by | If you're looking for a compact PTZ camera system for a small performance stage, conference room, podcast table, demonstration kitchen, instruction classroom, or any number of setups where the cameras can be positioned close to the subjects, and you would really benefit from the ability to manually change the shot or leverage automatic tracking, the OBSBOT Tail Air is custom-tailored to your needs.
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